This may or may not be true, but I believe the Golden Gate Bridge is the most photographed landmark in the world. When this is the case how are we to find one more interesting angle to shoot. With the 75th anniversary of this incredible structure being celebrated all year; cameras are sure to be snapping. Many years ago when I was younger and blessed with much less common sense I walked into the Waldo Tunnel to shoot the bridge framed by arch of the tunnel. This was dangerous and stupid and the police quickly lectured me on that fact, I also received a $50.00 ticket. I recently shot a portrait of an SFTravel Association executive with the Golden Gate Bridge as a backdrop and we made a nice image with an interesting perspective of the bridge. Regardless of the over saturation of Golden Bridge imagery I find it hard not to shoot this bridge. The light is always changing, the fog is a constant factor and the view is breathtaking. This year I will honor the bridge by trying to photograph all her beauty and find something different to look at.
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Everyday in the life of a freelance anything is a bit different than the one before or after it. Photography is one of those jobs that does not follow a steady rhythm, at least not my line of work. Take a recent 24 hour period as an example that most likely will be repeated in the future with a completely different rhythm and result. Drinking scotch and shooting out the window with renowned photojournalist Rick Friedman www.rickfriedman.com at the Starlight Room on the top floor of the Sir Francis Drake Hotel in downtown San Francisco is a good way to start any evening. From there I walked three blocks to the Hotel Nikko where I was to meet Kim Nalley www.kimnalley.com who has taken up a five week residency at the Rrazz Room playing a 5 night a week tribute to Nina Simone. She requested me to come by and shoot the band. After a stellar set of music I met up with her guitarist Greg Skaff in from New York to play the gig who also needed some updated photography for himself. Around 11:00 we were atop the Ellis/O’Farrell garage setting up for a portrait. The lights of the Palomar Hotel framed the back drop as the city wound down another day and I finally headed home for a short rest. Thursday morning had me scrambling about on five hours of sleep to get the kids to camp, and my equipment packed for a three shoot day. Intersection for the Arts www.theintersection.org recently opened their latest gallery installation “Sweet Beans and Rice: Investigating a Chino-Latino Future”. As I have been doing for years I was hired to document the gallery. These shoots are some of my favorite moments when I get to spend a couple of hours alone in a gallery with incredible art and make pictures. Upon completion of shoot number one I headed across town to another rooftop, this time in Chinatown, where I was to meet a new client, with a new business and a need for headshots. Setting up lights in the Stockton tunnel and creating a striking portrait was a challenge and an experience. I had no idea so many people walked through that tunnel and the sidewalk is quite narrow. With the sun going down on another San francisco day I had just enough time to eat a bit of dinner with the family before heading south to the campus of Stanford University and the Stanford Jazz Workshop. In it’s 40th year the SJW www.stanfordjazz.org puts on 30+ shows and holds three separate weeks of Jazz Camp each summer on the Stanford University Campus. This night was legendary Brazilian singer-songwriter and guitarist Milton Nacimento and I was shooting for the festival as I have done for the past eleven years. A great performance and a perfect end to a busy 24 hours in the life of Scott Chernis Photography.